Listening to this stuff a lot over the last few days and reading a lot of the comments on various sites and social media pages by people with a decent musical ear, we can narrow down these recordings as follows. Note - this is not necessarily definitive. In maybe about 20-30% of the cases, its educated guesswork
A special nod to Nico Zentgraf's always excellent Complete Works website -
www.nzentgraf.de - and it's corresponding facebook page.
Note : in a lot of these cases, overdubs may have been done some considerable time afterwards
She's Doing Her Thing - 'Satanic Majesties' sessions, Olympic Studios, London, October 1967
Blood Red Wine - 'Beggars Banquet' sessions, Olympic Studios, London, May 1968
Curtis Meets Smokey - 'Let It Bleed' sessions, Olympic Studios, London 23 April 1969. The same date as the 'Jamming with Edward' session, so the line up is probably Mick, Bill, Nicky, Charlie and Ry Cooder.
Walk With Me Wendy - 'Sticky Fingers' sessions, Olympic Studios, London, June-July 1970.
Tell Her How It Is - 'Sticky Fingers/Exile' sessions, Rolling Stones Mobile, Stargroves/Olympic Studios, London, October 1970. Overdubs in New York/LA or London, Autumn 2009. This is the much bootlegged instrumental 'Potted Shrimp' with a latter day vocal. Presumably an outtake from the 2010 'Exile' reissue.
Criss Cross - 'Goats Head Soup' sessions, Dynamic Sound Studios, Kingston December 1972 and Island Studios, London, May-June 1973.
It's Only Rock 'n' Roll - 'It's Only Rock 'n' Roll sessions, The Wick, Richmond, Dec 4-6, 1973. Original demo, featuring Mick, Ronnie, Kenney Jones & David Bowie.
Too Many Cooks - Mick Jagger solo project, Record Plant, Los Angeles, December 1973
Fast Talking, Slow Walking ;
Living In The Heart Of Love - 'Its Only Rock 'n' Roll' sessions, Musicland Studios, Munich, Feb-Mar 1974
Scarlet - 'Black and Blue' (or unspecified) sessions, The Wick, Richmond, October 1974. Other recordings possibly at another date. Not a full Stones session.
Built That Way - 'Black and Blue' sessions, Rolling Stones Mobile, Rotterdam, Jan-Feb 1975.
Covered In Bruises ;
Everytime I Break Her Heart ;
Fiji Jim ;
Never Make You Cry ;
You Win Again - 'Some Girls' sessions, Pathe-Marconi Studios, Paris, October - December 1977
Not The Way To Go - 'Emotional Rescue' sessions, RCA Studios, Hollywood, September 1978
Trouble's A-Comin' - 'Emotional Rescue' sessions, Compass Point Studios, Nassau, January-February 1979
It's a Lie - 'Emotional Rescue' sessions, Pathe Marconi Studios, Paris June-July / Sep-Oct 1979
Can't Find Love ;
Cooking Up ;
Eliza Upchink ;
I Tried To Talk Her Into It ;
I've Got Dreams To Remember ;
Keep It Cool ;
Part Of The Night ;
Still In Love With You ;
(You Better) Stop That - 'Undercover' sessions, Pathe-Marconi Studios, Paris, November - December 1982.
Big Truff - 'Undercover' sessions, Compass Point Studios, Nassau / Hit Factory, New York - May 1983. (Song is listed here as 'Dog Shit' which was the working title before vocals were added. The music may have been recorded at the previous session in Paris)
I Can't See NoOne Else ;
Putty In Your Hands - 'Dirty Work' sessions, Pathe-Marconi Studios, Paris, April-June 1985
Deep Love ;
Strictly Memphis - 'Dirty Work' sessions, RPM Studios, New York July - August 1985
Giving It Up - AIR Studios, Montserrat, March - May 1989
Hands Off ;
Ivy League - 'Voodoo Lounge' sessions, Windmill Lane Studios, Dublin, November - December 1993
20 Nil ;
Desperate Man ;
Dream About ;
Flip The Switch ;
Lowdown ;
Might As Well Get Juiced ;
Prairie Love ;
Sanctuary ;
Too Tight - 'Bridges To Babylon' sessions, Ocean Way Studios, Los Angeles, March - June 1997
Extreme Western Grip ;
Well, Well - '40 Licks' sessions, Studio Guillaume Tell, Suresnes, Paris, May-June 2002.
The following two songs are a bit more contentious
Don't Lie To Me - some speculation its a Jagger solo rehearsal from LA in October 1987. More likely than not recorded as a warm up during the 'Dirty Work' sessions in Paris, April 1985
Nobody's Perfect - some reckon it's another 'Dirty Work' outtake from New York, July-August 1985. Personally, I think it's not the Stones but a Mick Jagger solo recording, possibly the 'Primitive Cool' sessions at Wisseloord Studios, Hilversum, Netherlands, November - December 1986.
The two '40 Licks' songs were previously released on the 'Four Flicks' DVD. 'Blood Red Wine' has been available on bootlegs for over 40 years. I'm open to correction, but whilst a few of the other songs have either been released officially or circulated unofficially before, all of the versions here are new to circulation.
Songs are probably all Jagger-Richards, with the following exceptions :
'IORR' is officially Jagger-Richards of course, but as can be seen here, it's really a Jagger-Wood composition. Both of them wrote this song and 'I Can Feel The Fire' together. Mick left his writing credit off the latter song which appears on Ronnie's debut solo album (although Mick sings on it) and Ronnie left his credit off the song that became the title track of the next Rolling Stones album. Not the wisest business move of his career.
'Covered in Bruises' is probably Jagger-Wood, but was rewritten and re-titled '1234' and became the title track of Ronnie's 1981 solo album, released in the same week as 'Tattoo You'. The released version is solely credited to Ronnie :
'Putty In Your Hands' was written by Big John Patton and released by The Shirelles on their 1962 LP 'Baby It's You'
'I've Got Dreams To Remember' was written by Otis Redding, Zelma Redding and Joe Rock. It was recorded by Otis Redding in November/December 1967 and was one of the last songs he cut before he was killed on December 10 of that year. It was released on 'The Immortal Otis Redding' in June 1968.
In the Stones' version, Mick sings some different lyrics in the verses
'Too Many Cooks' - I've seen this song as being credited to Willie Dixon, but it wasn't. His version is on youtube and while there a few similar lines, its a different song. It was written by Angelo Bond/Ronald Dunbar/Edith Wayne. (Angelo Bond was a '70s soul singer who scored a Top 40 R&B hit in 1975 with "Reach for the Moon (Poor People). Ronald Dunbar was an American songwriter, A&R director and record producer who worked closely with Holland–Dozier–Holland, and with George Clinton. His co-writing credits include the hit songs "Give Me Just a Little More Time", "Band of Gold", and "Patches", for which he won a Grammy. He worked with songwriters and record producers Brian Holland, Lamont Dozier, and Eddie Holland, in an uncredited capacity, until they left Motown over a financial dispute in 1968. Dunbar remained with the three when they set up Holland–Dozier–Holland Productions Inc., and the Invictus and Hot Wax labels, where he became A&R director. Dunbar began to be credited as a songwriter in his own right, as half of a writing partnership with "Edith (or Edyth) Wayne". The latter is now acknowledged to have been a pseudonym used by Holland, Dozier and Holland, who were unable to use their own names because they were legally contracted to Jobete, Motown's song publishing arm).
The earliest version I know of (its probably the original) was recorded in 1971, two years before Mick's cover and is by Detroit R&B band 8th Day on their self titled debut album
'Don't Lie To Me' was written by Hudson Whittaker (aka Tampa Red) in 1940 as 'Don't You Lie To Me' and covered by other artists such as Fats Domino.
The original :
The Stones' probably heard it when Chuck Berry covered it on his 1961 album 'New Juke Box Hits'
The Stones' studio version is from Chess Studios in Chicago on 10-11 June 1964. It was eventually released on 'Metamorphosis' in June 1975.
They first recorded it for the BBC Radio show 'Saturday Club' on 3rd Feb 1964.
The song was performed once - in Fort Worth on 24th June 1972. There's also a circulating version from a mid-tour rehearsal the day before.
CORRECTIONS WELCOME!
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