Mel Belli wrote on Apr 15
th, 2010 at 3:55pm:
Okay ... I've heard all the bonus tracks—fairly crappy .wav files, but enough to get the idea.
For now, first impressions: Mick did a *lot* of overdubbing, far more than we were led to believe. The only untouched tracks, to my ears, were the LIB-era "Loving Cup," "Soul Survivor," "Good Time Women," and "Title 5." "Loving Cup" we've all heard before ... "Soul Survivor" is what you'd expect: a sort of aimless guide vocal from Keith with the underlying track we all know. "Title 5" is a fuzzed-out riff set to Charlie drumming like "19th Nervous Breakdown." Meh.
"I Ain't Signifying" got, at the very least, new harp from Mick. Good stuff.
"Pass the Wine" is probably the most successful track of the bunch. Reminded me—a bit—of "High Head Blues" by the Black Crowes. Or maybe "Spill the Wine."
Many of you heard "Plundered My Soul" on French radio today. Weird thing: I do *not* hear the Taylor overdub on the first prechorus, as heard on the Amazon.uk sample.
"Dancing in the Light" starts out promisingly. Mick gives it a twangy vibe. By the end, though, he does a barky ad-lib thing, reminiscent of the end of "Put Me in the Trash." Not very convincing.
"So Divine (Aladdin Story)" has brand new lyrics/vocal track. This one didn't bother me, but didn't quite rock my world, either.
"Following the River," a gospel, "Shine a Light"-type thing, has a great piano track from Nicky Hopkins, who recycles a bit of "Jealous Guy." The vocal track, alas, is mannered Mick. The melody kind of—emphasis on kind of—reminded of "Don't Call Me Up." Mick does that faux-plaintive ad-lib thing over the end of the track. He really pushes his voices to places it does not want to go anymore. Disappointing.
I'm pretty sure I'll warm up to a lot of this. I like "Streets of Love," after all. But many of you, I'm sure, will not.
Just sayin'.
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