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'Exile On Main St.' Reissue News (Read 233,616 times)
Mel Belli
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Re: 'Exile On Main St.' Reissue News
Reply #1625 - May 23rd, 2010 at 9:36am
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Re: 'Exile On Main St.' Reissue News
Reply #1626 - May 23rd, 2010 at 9:50am
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Keith hid cocaine under my shirt... his wedding gift to Mick: The truth about the Rolling Stones, by an eight-year-old boy


By Caroline Graham
Last updated at 12:18 AM on 23rd May 2010

As the eight-year-old boy walked through the vast iron gates of Villa Nellcote on the Cote d’Azur in the South of France, the scene unfolded like a child’s fantasy.

There was a huge pool complete with diving board, a sprawling toy-filled sandpit and even a selection of miniature motorbikes parked alongside a mansion that housed a menagerie of dogs, cats and a rabbit.

Tugging the sleeve of his six-year-old brother, young Jake Weber could barely contain his excitement as he cried: ‘It’s just like a fairytale palace!’

...
'I knew what was going on': Eight-year-old Jake Weber sits with the Rolling Stones' guitars
behind Mick Jagger at Villa Nellcote as he works on a track for Exile On Main Street


But the Villa Nellcote, known locally for having been a Nazi headquarters during the war, was certainly no place for children.

No sooner had the heavy wooden doors to the mansion closed than one of the most famous men on the planet lurched forward.

Pausing to give Jake’s golden hair a half-hearted tousle, Rolling Stones guitarist Keith Richards knelt down and pulled the boy’s T-shirt off, revealing a package wrapped in plastic taped firmly to Jake’s bare stomach.

This, the boy learned, was to be Richards’s ‘wedding gift’ to bandmate Mick Jagger. Inside the package was half a kilo of cocaine.

Jake’s brother, Charley, also had half a kilo wrapped round his body. This would be for ­Richards’s own use.

Both consignments had been carefully prepared – and concealed on them by the boys’ father. It was, as Jake put it, ‘pretty outrageous even by the debauched standards of the Rolling Stones. To use kids as drug mules takes some doing’.

Tonight the full hedonistic extent of that ­summer at the 54-room Villa Nellcote will be laid bare when a new documentary, Stones In Exile, is broadcast on BBC1.

The film coincides with the re-release of the Stones’ legendary double album Exile On Main Street, which is considered by many to be the greatest rock and roll album.

Almost as legendary as the music – created in a makeshift basement studio that was so damp that the guitars constantly went out of tune – are the antics of the band and their colourful entourage: heroin-addled Richards and his girlfriend Anita Pallenberg; Mick Jagger and his new bride, the sultry Bianca; Charlie Watts; Bill Wyman and Mick Taylor.

At Nellcote, the Stones embarked on an orgy of partying surrounded by drug-pushers and legions of hangers-on, punctuated by occasional visits from celebrity friends like John Lennon and Yoko Ono. They submerged themselves in a bacchanalian haze of hash, cocaine, heroin and alcohol by day before retreating to their basement lair by night, to create classic tracks such as Tumbling Dice, Happy and Sweet Virginia.

But there was a still more extra­ordinary, and some might say dis­turbing, aspect to the dark fantasy playing out beneath the crystal chandeliers: along with the band members, their girlfriends and the groupies, there was an audience of vulnerable children who watched as the mayhem unfolded.

...
Tragic: Jake's socialite parents Susan 'Puss' Coriat and Tommy Weber


Today Jake Weber is 46 and a successful Hollywood actor. It is to his credit that he survived this particular journey to the wilder fringes of celebrity life – although, in his own way, he too would later become a victim of the culture of drugs and hedonism that was celebrated so recklessly during that summer with the Stones in 1971.

There had been something of the fairy tale in Jake’s own family background. His parents, who had married in 1964, had been regarded as one of Britain’s most beautiful couples, albeit with a dark, hidden secret.

His mother was Susan ‘Puss’ Coriat, the exquisite but emotionally fragile heiress to a large trust fund. Susan was the daughter of Priscilla Chrystal Frances Blundell Weigall, who inherited a fortune worth the equivalent of £120 million today, and Harold Coriat, a land agent for Priscilla’s first husband, Viscount Edward Curzon.

The family’s wealth came from Priscilla’s grandfather John Maple, who transformed a modest furniture store on Tottenham Court Road in London into the world’s largest luxury furniture empire during the Victorian era.

Jake’s father was Tommy Weber, the son of a Danish aristocrat. Tommy’s grandfather was Reginald Evelyn Weber, a good friend of King George VI (they shared a love of stamp collecting) who built his fortune with the coffee, tea and spice importing firm Weber, Smith and Hoare.

Tommy was a socialite and racing-car enthusiast who was also a notorious gambler and drug supplier to the rich and infamous – including the Stones.

Puss became steadily more consumed by drug dependency and a thirst for spiritual fulfilment. She was being treated in a clinic in England when Tommy took Jake and his brother to France for Jagger’s May 1971 wedding – and stayed for five months.

Jake says: ‘I remember it vividly. I was eight years old but I think that is the age when you first start to have vivid recall. I can remember the smells of Villa Nellcote, the roses in the garden, the sea foam when we went on the boat with Keith, the smoke and booze fumes that would hang in the air every morning when we would go downstairs.’

The Stones had fled to the mansion near Cannes, which was being rented by Richards for £1,000 a week, to escape Britain’s top tax rate of 93 per cent.

Jake and his brother were given rooms at the very top of the mansion. They were not the only children there. Anita and Keith had brought their toddler son Marlon to the South of France and, according to Jake, there were other children who came and went.

Presented with such freedom, Jake is happy to admit that he enjoyed his weeks at the mansion, for the most part at least. ‘I can’t complain and say how terrible it was because I don’t remember it like that. We were in a castle with endless toys, sandy beaches, food and sweets.’

Jake and his new summertime playmates enjoyed the treats to the full.

‘The adults were very kind to us,’ he says. ‘I had a rabbit and no one could figure out how to lift it out of its cage properly until Keith came along one day and grabbed it by the ears. I remember going out with Keith on his motorboat and he’d play at being a pirate and pretend to board the yachts in the harbour. My brother and I were pageboys at Mick and Bianca’s wedding. Those are the happy memories.’

He describes Anita Pallenberg as kind and nurturing, even though she admits to being ‘wasted’ on heroin at the time. Anita, who spent the summer in a striking leopard-print bikini, was pregnant with someone’s child, but was not entirely clear about the father. Pallenberg, a friend of Jake’s mother, had slept with both Jagger and Richards that summer.

Jake recalls: ‘Anita always made sure we ate and were dressed well. I knew what was going on with the drugs and sex. You would have to be blind not to see it. There was dope and lots of cocaine and heroin. People would be wasted but no one was ever unkind to me and my brother.

‘We were allowed to wander freely around. There was no such thing as “bed time” – you just took yourself off when you felt tired. The days were endlessly sunny. We had a series of chefs who would cook you anything you wanted. There would be piles of pastries alongside the bottles of wine for breakfast.

‘My brother and I never drank or did drugs. We were too young. We would dance around the room to Brown Sugar while everyone else got stoned.’

If he survived Villa Nellcote, the wider consequences of the drug ­culture that surrounded him were inescapable. ‘Yes, there was a dark side too,’ he concedes.

His handsome father, for example, preferred louche living to spending time with his boys. ‘My father didn’t know how to be a father,’ says Jake. ‘He would be off doing drugs or having sex. I did my own thing and was happy to sit and watch Mick and Keith create long into the night.’

Tommy had recently ended an affair with the actress Charlotte Rampling and had told his sons that their mother would join them at the villa, once she had completed her rehabilitation. Her experimentation with LSD had led to schizophrenia and a period of hospitalisation, including electroshock therapy.

Pallenberg and Puss had became friends at Bowden House, a rehab clinic in Harrow. They met in March 1971 when both checked in to Bowden, which at the time was dubbed ‘a drying-out paddock for the rich and famous’ by the Press. Both regularly left the clinic to party in London and, according to Tommy, Puss confessed she and Anita enjoyed a ‘brief but satisfying’ lesbian affair.

He later told his children that while he believed Puss was planning to travel to the villa to ­reconcile with him, she may also have been coming to rekindle her romance with Pallenberg. Whatever the motive, the eagerly awaited reunion would never take place.

On June 7, 1971, Richards received an urgent telegram from London and Tommy was left to break the news to his two sons that their mother, newly released from the clinic, had died. At first Jake was told it was an accident, but later he was to learn that she had taken her own life with an overdose of prescription pills. She was just 27.

Jake says: ‘When my brother and I were told of the death I remember us both breaking into pathetic sobs, and then for a couple of weeks I was in a haze of grief.

‘My father was not capable of looking after us on his own. But the group at the villa rallied round. We were surrounded by people who loved us and cared for us, even though they were out of their minds most of the time. That’s how we made it through. I don’t think they were bad people, it was just a dif­ferent time, a different era.’

Neither of the boys attended the funeral, which was thought to be too distressing an occasion. Instead, they remained at the villa for the rest of the summer.

Today, almost 40 years on, Jake lives with his long-time partner, actress Liz Carey, and their four-year-old son Waylon in a sprawling home near the ocean in Malibu.

He has worked steadily as an actor in films such as The Pelican Brief, Meet Joe Black and Dawn Of The Dead and now stars opposite Patricia Arquette in the hit US drama Medium. For this is he grateful to his wealthy godfather, American businessman Peter van Gerbig, who had been best man at Tommy and Puss’s wedding and took Jake under his wing.

Van Gerbig not only paid for his education, he encouraged him to go to Juilliard, America’s top acting school. Jake was nearly 13 when he arrived in the States. The plan had been to bring his younger brother over too but, says Jake, van Gerbig had a new family of his own and bringing Charley over too ‘became too much’. The siblings would not see each other for years.

Charley remained with Tommy in England and did not fare so well. His father squandered every penny on drugs. In a book about the Webers, A Day In The Life, Charley told author Robert Greenfield: ‘I had to give Dad my last five quid so he could get a fix.’ Charley ended up living on friends’ couches and even endured a brief period on the streets before pulling his life together.

Jake says: ‘My brother had some very tough times. He was there one time when Dad overdosed on heroin. He suffered more than I did.’

Tommy Weber was repeatedly arrested and convicted for possession of heroin and cannabis as well as drink-driving. He ended up serving 11 months in prison.

In 1982, Jake saw his father for the first time in years. Tommy gave him a letter which read: ‘Jake, there is a very important secret to life. Work is much more interesting than play and if you are lucky enough to be able to make your work your play and your play pay, well, then you’re in clover.’

Jake says his relationship with his brother, so close at the villa, also suffered. ‘Once I moved to America we were in different worlds.’

In September 2006, after years of ill-health and a series of heart attacks, Tommy was diagnosed with a cancerous tumour on his liver.

His veins had collapsed through drug use and nurses were forced to inject pain  edication into the soles of his feet. He died on September 21, 2006, aged 66. Charley still lives in England and works as a film editor.

Despite his exposure to the Stones’ rock-and-roll lifestyle, Jake says he has never been tempted by the excesses he witnessed during the Exile On Main Street period.

He says: ‘I think round parents often have square children. I enjoy a cocktail but that’s as far as it goes. I have my own family, my own home, and I treasure what I have built for myself.’

But the summer of 1971 remains with him in the sharpest and most colourful detail. He says: ‘I treasure my memories and of being a very small part of a moment in history.’

By chance, a couple of years ago Jake bumped into Mick Jagger in the garden of Hollywood’s Chateau Marmont hotel. Jake recalls: ‘I went up to him and told him I was Tommy Weber’s son, Jake. He looked at me for a while and said, “Oh right, that was a long time ago, wasn’t it?”

‘He was with some other people so I excused myself and went back to my table. That was that.’

Jagger later left the hotel without pausing to say goodbye.

‘He’s moved on ... and so have I,’ says Jake.

Exile, an exhibition of photographs by Dominique Tarle from the Stones’ time at Villa Nellcote, is at the Atlas Gallery, 49 Dorset Street, London W1 (020 7224 4192), from July 15 to August 31.

Prints are available to buy in advance of the opening in association with Raj Prem Fine Art Photography.


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Re: 'Exile On Main St.' Reissue News
Reply #1627 - May 23rd, 2010 at 10:00am
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Steel Wheels wrote on May 20th, 2010 at 9:24pm:
Who has listened to the vinyl? I swear it's the best I've ever heard Exile. It makes the compact discs sound cold and flat. I turned off both the 1994 and 2010 versions and had to spin side one again. The whole first side swings and has such a tangible groove. My preamplifier has many different tweeks I can set, and once I tuned it up, the Stones were in my room.

Brilliant, brilliant transfer. I love it.


There are times where I wish I had a turntable. After reading this, this is one of those times.
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Re: 'Exile On Main St.' Reissue News
Reply #1628 - May 23rd, 2010 at 10:12am
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The Rolling Stones' forbidden documentary


"Exile on Main St.'s" rerelease is revelatory, but even better is the concert film quashed for four decades


Saturday, May 22, 2010 14:01 ET
By Sam Adams

...
Mick Jagger in San Francisco in 1972                    AP


The remastered sound of the Rolling Stones' "Exile on Main St.," reissued this week to much carefully orchestrated fanfare, brings the decadent double album out of the dank basement and out into the light. The clatter of Charlie Watts' sticks on the rim of his drum kit rings out like horse's hooves on "Hip Shake," and Mick Jagger's voice rises out of the famously murky mix on "Torn and Frayed."

But "Exile's" sonic polish is small potatoes compared to what awaits on the DVD available only with the album's "super deluxe" (and super expensive) edition. Sandwiched in between excerpts from Steven Kijak's making-of documentary, which screened at Cannes this week, and a pair of clips from Hal Ashby's concert doc, "Ladies and Gentlemen, the Rolling Stones," [sic] is 11 minutes from Robert Frank's legendary and elusive "Cocksucker Blues," the quasi-documentary that the Stones have effectively suppressed for nearly four decades. Owing to ongoing legal difficulties, the rest of "Cocksucker Blues" is unlikely to see legitimate release, but many of those who've seen it regard it as one of the greatest rock movies ever made.

The Stones hired Frank, the still photographer best known for the stark monograph "The Americans," to document the run-up to "Exile's" 1972 release and the accompanying tour, the band's first U.S. jaunt since their disastrous free concert at Altamont Speedway, a would-be Woodstock where a man was fatally stabbed in the middle of "Under My Thumb." After holing up in the basement of Richards' chateau in the south of France, where much of "Exile" was recorded, they were ready to meet their American public again, and they wanted Frank along for the ride.

It's hard to know what the Stones expected from Frank, whose previous films, including the Beat landmark "Pull My Daisy" (1959), showed little interest in conventional narrative of either the fiction or nonfiction variety. (At one point, Frank theorized he was chosen because his friend Danny Seymour, who appears in the film, was adept at procuring hard drugs, which made him a valuable commodity in the Stones' circle.) In any case, the Stones didn't like what they saw -- or at the very least considered it unwise to release. According to one account, Jagger told Frank he liked the film but worried that "if it shows in America, we'll never be allowed in the country again." The band successfully sued to prevent the release of "Cocksucker Blues," with showings limited to those at which Frank was physically present (a requirement that has been slightly loosened in recent years as the 85-year-old Frank's ability to travel has been curtailed). Video was verboten as well, of course, although VHS bootlegs and now Internet downloads have always been within the reach of the curious and determined. It's also made appearances on various streaming video sites, although its tenure is inevitably short-lived.

"Cocksucker Blues" is infamous for its scenes of debauchery, like an incipient orgy on the Stones' private plane where women shriek as their shirts are pulled off and Jagger and Richards bang instruments like a satanic house band. (Carefully edited snippets appear on the "Exile" DVD, although the Glimmer Twins now seem to preside over a mild outbreak of tickle fighting.) But such spectacles would hardly have damaged the reputation of a band whose image was based in excess. And besides, the Stones are absent for many of the movie's most notorious scenes, including those in which unidentified hangers-on stick needles in their arm and a sperm-spattered naked woman sprawls on a hotel bed and fingers her crotch in postcoital reverie.

What was perhaps more damaging -- and, to the outside observer, most intriguing -- is just how dull the life of the world's biggest rock 'n' roll band could be. At times, Frank goes out of his way to portray the drudgery of life on the road, as when he intercuts footage of a couple shooting up in a hotel room with scenes of Keith Richards quietly playing cards. In one sublime sequence, included on the "Exile" DVD, a lugubrious Richards makes a slurred and unsuccessful attempt to order a bowl of fruit from a woman in a Southern hotel.

KEITH RICHARDS: Do you have any fresh fruit?

ROOM SERVICE: Well, like strawberries or blueberries?

KR: Strawberries and blueberries.

RS: How many orders?

KR: Would you send up, like, a bowl?

RS: Oh, no. It goes by the order.

KR: That's very comp … Why don't you just make a nice selection of fruit and send it up. You know, use your own discretion.

RS
: Well, look, you've got two melon. Will I send you one order of strawberries and one order of blueberries, then?

KR: Have you got a … What about an apple?

RS
: Apple? Well, I can get you an apple, yes.

KR: Can you get us, like, three apples?

RS: [Pause] Just a minute, please.

There's concert footage as well, much of it astonishing; many fans regard the 1972 tour as the Stones' finest hour. It's a shame the "Exile" DVD only shows us the second half of their duet with Stevie Wonder, who toured as their opening act, picking up with "Satisfaction" but omitting the segue out of Wonder's "Uptight (Everything's Alright)." But the vividly colored stage performances only heighten the dolorous feel of the black-and-white behind-the-scenes footage. In his novel "Underworld," whose third section is named for the film, Don DeLillo described it thus: "The camera phalanx in the tunnels. People sitting around, two people asleep in a lump or tripped out or they could be unnoticeably dead, the endless noisy boredom of the tour -- tunnels and runways."

The torpid tenor of "Cocksucker Blues" is in marked contrast to the antic frenzy of "Charlie Is My Darling," Peter Whitehead's documentary of the Stones' 1965 Irish tour, which has also never been released on video in its entirety. "Charlie," which turns up on YouTube from time to time, is a far more lighthearted affair, somewhere between the Beatlemaniac antics of "A Hard Day's Night" and the arm's-length vérité of Wolf Koenig and Roman Kroiter's "Lonely Boy," their sociological portrait of a young Paul Anka. Scoring his footage with marching-band arrangements of the Stones' greatest hits, Whitehead's tone is gently mocking but also genuinely fascinated, particularly by the band's cross-generational appeal. Eager grannies and self-serious undergrads turn out to see them as well as frenzied teenagers, whose fervor sometimes puts them in physical jeopardy. The film shows fans rushing the stage and jumping on various band members, and one unlucky woman being carried out on a stretcher.

Given that "Charlie" has been released on DVD, but with all the songs edited out, the likely culprit for its unavailability is the thorny subject of music rights, the same factor that kept Robert Altman's "California Split" and Monte Hellman's "Two-Lane Blacktop" off the shelf for years. But by the time of "Cocksucker Blues," the Stones owned everything with their name on it, including their songs and the film itself. The quality of the excerpts on the "Exile" DVD obliterates the equivalent sequences in bootleg copies, suggesting that a decent print and a digital transfer of at least sections of it are somewhere in the vaults. It's unlikely, almost unthinkable, that the entire movie will ever see proper release, and perhaps that's as it should be. "Cocksucker Blues" makes sense as samizdat, a blurry, blue-tinged artifact passed from one person to the next, surfacing briefly on one website or other but always being taken down, shoved back underground. But then, as Jagger sings on "Exile's" first song, "The sunshine bores the daylights out of me."

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Re: 'Exile On Main St.' Reissue News
Reply #1629 - May 23rd, 2010 at 11:51am
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LadyJane wrote on May 21st, 2010 at 9:03pm:
Do we have the official numbers yet?
Did we finish Number 1 in the UK?
How did we do in the US??

OMG..I've been hanging around with jb too much!!!!!!!!

NECESSARY TO WIN GROSS!!!!!!!!!!!!!!!!!

LJ.



It hasnt been released for a full week in the US yet - your chart week runs from Tuesday to Monday. I think it's published on Wednesdays.

UK chart is usually available at around 7 pm. So, just over an hour or so.

You'll get it here - http://www.theofficialcharts.com/

I must admit I didnt expect a reissue of a 38 year old album that didnt sell in huge numbers in the first place to even make the top 20 in the UK. I'm absolutely stunned that it's looking like it could be a chart topper. An incredible promotional campaign by Universal (and the Stones themselves) that we're even discussing this.
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Re: 'Exile On Main St.' Reissue News
Reply #1630 - May 23rd, 2010 at 11:59am
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Mel Belli wrote on May 23rd, 2010 at 9:36am:
Is this thread possibly losing steam?!

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Re: 'Exile On Main St.' Reissue News
Reply #1631 - May 23rd, 2010 at 12:25pm
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Mick Jagger: 'My upbringing kept me stable'


In Cannes for his film about the Rolling Stones's summer of exile in France, Sir Mick Jagger talks to Martyn Palmer about that hedonistic time – and why he's thankful for his middle-class roots.


Published: 7:00AM BST 23 May 2010

...
Mick Jagger and L'Wren Scott arrive for the screening of "Stones in Exile" during the
63rd Cannes Film Festival  Photo: AP  


For a few moments it's hard to reconcile the dapper, rather conservatively dressed 66-year-old lounging on the rooftop terrace of one of the Côte d'Azur's most luxurious seafront hotels with the younger, wilder version captured on camera in all his rock star pomp and glory.

The previous evening, Sir Mick Jagger, speaking fluent, faultless French, had introduced the premiere of Stones In Exile at the Cannes Film Festival, a new documentary that charts the making of what is regarded as one of the finest albums in rock history amid scenes of bacchanalian excess.

It really was sex, drugs and rock-and-roll – and it's remarkable that their 1972 masterpiece, Exile on Main Street, emerged from such mayhem. "We were young, good-looking and stupid," he told the audience. "Now we're just stupid."

Sir Mick today – blue checked shirt, smart grey trousers, Nike trainers and Gucci sunglasses – is whip-thin and undeniably healthy. He looks like one of the ultra-wealthy movers and shakers who flock to the Cannes Film Festival to make a deal. Which, indeed, is what he is – he produced the film and worked closely with director Stephen Kijak, unearthing unseen footage from the Stones' own archive.

It must be odd, I suggest, to look at one's younger self in such detail. "It's a bit like poring over a family album," he says. "I'm not nostalgic for that time, but it was a good time and it was interesting to look at what was there."

There was a dark side to this particular rock family, of course. What happened over those long, hot summer months of 1971 in Provence – just an hour's drive away from where Jagger sits today – has become the stuff of rock legend, as the band recorded in the basement of guitarist Keith Richards's Villa Nellcote, and a rapidly increasing group of hangers-on partied around them.

Richards and his then-partner, Anita Pallenberg, were both descending into heroin addiction; bass player Bill Wyman was desperately homesick for Branston pickle and English milk; and guitarist Mick Taylor – who had replaced original member Brian Jones who had died in 1969 – was overawed by the rock star lifestyle on display. Jagger himself remembers it all with affection.

"I don't regret anything and I'm very fond of all of it. It was a wonderful time. You can paint it in a very dark manner – you know, it was decadent – and, yes, it was quite decadent – but decadence is very enjoyable.

"Was it dark? Yes, it was dark. But it was also a very beautiful place. We were in France in the sun and, even though we had no money, we all managed to rent beautiful houses. I had a wonderful house near Antibes with a swimming pool and a lovely lawn. I enjoyed my time in the south of France. It got a bit crazy at the end – there were all these hangers-on – but we just closed up and left."

Back in those days, the rebel Stones were under siege, fleeing Britain, where the Inland Revenue were hot on their trail in pursuit of unpaid taxes. Despite almost a decade of hits and sell-out tours, they were penniless, thanks to bad management and a punitive UK tax rate of 90p in the pound. Moving to the south of France to record a new album, after their acrimonious split with manager Allen Klein, seemed like the best solution.

"It was the most convenient thing to do financially," says Jagger. "Taxes were very punitive and, through our own fault and other people's fault, we had not been very good at looking after our money. It was just that time. If it had been 20 years later, we wouldn't have had that same problem.

"We were broke. But we got money from the record company to fund our album, otherwise we wouldn't have been able to come down here and live in a nice way. We had a lot of back taxes to pay and that was the only way we could do it at that time."

Although each of the five Stones had their own villas, they recorded in the basement of Richards's rented house, which quickly became party central. Jagger admits that he took drugs, but never went as far as Richards.

"We all did excessive things, but I don't remember it being particularly bad in the south of France. [In the film] you see it like it is, it's a very pleasant place, really. I've had a lot of unstable moments – everyone does in their life – but I had a very centred upbringing."

Jagger grew up in Dartford, Kent, in a stable, middle-class family, the eldest of two boys. His parents – Basil, a teacher, and Eva, a hairdresser – instilled values that kept him from going off the rails, he says.

"Yes, I think so. When you are young and you have a very close family life, it helps you be centred for later. If you don't have a very stable upbringing, I think it can be difficult."

He has seven children himself, by four different mothers, including four with Jerry Hall. Their eldest daughter, Elizabeth, 26, is now working as a model and actress. "We talk a lot," he says. "We chat about the business she's in. What advice do I give her? Don't take it too seriously. And don't take life too seriously – always remember that it's a passing fad."

While Richards and the hangers-on partied at his villa, Jagger would drop in to record and then retreat to the tranquillity of his own rented house.

"I was pretty centred. I had a very nice house and garden, and a really nice swimming pool – and I never had anything quite like that before. I had a friend who was a falconer who used to come and train his falcons in my garden. That was very restful. It wasn't mad, really, for me, to be honest."

Drugs have become part of the myth surrounding the Stones, and while Jagger – who married his first wife, Bianca, during the exile in France – may have stayed away from the worst excesses, the film does have some shocking moments. Not least, the son of one of the backing musicians [sic] – at the time just eight years old – telling the film-makers that his main function was to roll joints for whoever wanted them.

"You don't see anything that bad, do you?" Jagger protests in mock outrage. "Lots of children running around rolling joints. And, you know, people making music. It's pretty much what I imagine most people think being in a rock band is all about.

"But yes, you are right to a certain extent, excess was the order of the day. But you get excesses now in consumption of other things like consumer goods."

His attitude to drugs today is still controversial, suggesting on an American TV chat show recently that all drugs should be legalised, with a trial period where they are decriminalised in a small, contained community, such as the Isle of Man.

"Legalising drugs is an issue that every government, and every police force, in fact, has done studies on. I think the British police force came out at one point and said they thought they should be legalised.

"It's a subject fraught with difficulties because it's not an easy thing to do. You can't just tick it off and go, 'OK, all drugs are legalised…'. But having drugs illegal is so much of a problem because, as the police in any country will tell you, there's a lot of violence at the user-end of drugs, people steal money to get drugs, and so on. And at the other end, the supply end of the chain, there's a lot of violence too, as you see in Mexico now, for instance.

"So that's what I said. And I said if you want to try legalising it, you should do it in a small community – and I jocularly said that when they have a new mobile phone system, they always try it out in the Isle of Man. After I'd said it, I thought: 'Oh, either they are going to love this on the Isle of Man or they are going to hate it…' I also said Iceland and then I thought, 'Oh God, Iceland, the banking crisis and then the volcano, and now I'm saying they should legalise drugs there and they're not going to like it…'

"It was slightly jocular. But there is a seriousness there – they did try legalising drugs in Amsterdam and the rest of Holland, with varied results, you might say. There were good results and not-so-good results. I think it's good to have a debate, an ongoing debate, and it's a very serious issue, but it is an issue that needs to be addressed because the violence of the supplier has got really, really bad. If you ask any police force, a lot of the crimes they deal with have to do with drugs."

Jagger has been out of the country since Britain's new coalition government took power. Although he doesn't reveal which party he voted for, he is intrigued by the Conservative-Liberal pact, and hopes that the alliance will bring radical changes to the country.

"I'm very interested in politics, and I think it's fascinating what's going on. Every day is something different, and we'll see how radical the change is.

"The thing about society is that you get a government, and society changes either very little or a lot. During the Thatcher years, there was a big change in society; even during the Blair years, even though it was a bit imperceptible, there was a large change in society. We were in a bit of a holding pattern with the Gordon Brown government, and everyone knew we were. It was sort of more of the same for the last two years."

Jagger today has a personal fortune estimated at more than £300 million. The time in Provence recording Exile On Main Street marked a sea change in the financial fortunes of the band, and they went on to become one of the most successful groups of all time. Creatively, though, they never quite scaled the heights of that remarkable, eclectic album infused with blues, country and soul.

The reissued album, with six bonus tracks [sic] unearthed and reworked by Jagger and co, is on course today to become the band's first number one in 16 years. "It's my finest hour!" he laughs. "Well, it's certainly good and it was certainly a creative period. It's a very good album but whether it's the best, I don't know. I don't really have favourites."

The Stones have tentative plans for a limited tour where they would perform the album in its entirety. And he will keep on working until he drops, because, well, that's what he does.

"Everyone's life comes to an end. We'll all die, we all have the same fate, but I think you should just keep going while you can, doing what you like."

Stones in Exile' is on BBC One, tonight at 10.25pm, and will be released on DVD next month

The Telegraph
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Re: 'Exile On Main St.' Reissue News
Reply #1632 - May 23rd, 2010 at 12:37pm
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#1 in UK!!!  Blank Frigging Stare

1. (RE) EXILE ON MAIN STREET (Rolling Stones) 31 wks

2. (NEW) THE DANCE (Faithless) 1 wk

3. (2) THE DEFAMATION OF STRICKLAND BANKS (Plan B) 6 wks

4. (NEW) STRIKE! (Baseballs) 1 wk

5. (4) THE FAME (Lady Gaga) 71 wks
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Re: 'Exile On Main St.' Reissue News
Reply #1633 - May 23rd, 2010 at 12:42pm
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Congrats to the Stones - and UMG.

What's up with the 31 weeks, though?  
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Re: 'Exile On Main St.' Reissue News
Reply #1634 - May 23rd, 2010 at 12:49pm
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Finally listened to the new Exile with headphones, and was completely amazed.

UnFuckingReal upgrade to my ears.
I'm hearing clearly many things that were buried in previous releases.

This makes me really excited to hear what they do to Sticky Fingers.
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Re: 'Exile On Main St.' Reissue News
Reply #1635 - May 23rd, 2010 at 12:50pm
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left shoe shuffle wrote on May 23rd, 2010 at 12:42pm:
Congrats to the Stones - and UMG.

What's up with the 31 weeks, though?  


31 weeks on chart (or 17 on the Official Top 75):

UK Date: 10/06/1972 - Run:  *1*-3-4-5-6-11-14-11-16-19-18-27-40-39-34-30 (16/5/1 wks)
Re #01: 03/06/1995 140 (1 wk, 17 wsf)
Re #02: 14/06/1997 143-127-193 (3 wks, 20 wsf)
Re #03: 12/06/1999 197 (1 wk, 21 wsf)
Re #04: 02/02/2002 191-165 (2 wks, 23 wsf)
Re #05: 06/04/2002 194 (1 wk, 24 wsf)
Re #06: 30/08/2003 196-107-159 (3 wks, 27 wsf)
Re #07: 09/10/2004 187 (1 wk, 28 wsf)
Re #08: 17/09/2005 184-198 (2 wks, 30 wsf)
Re #09: 29/05/2010 *1* (1 wk)
Total # of weeks: 31-16c
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Re: 'Exile On Main St.' Reissue News
Reply #1636 - May 23rd, 2010 at 12:57pm
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Re: 'Exile On Main St.' Reissue News
Reply #1637 - May 23rd, 2010 at 12:58pm
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Soldatti wrote on May 23rd, 2010 at 12:50pm:
31 weeks on chart (or 17 on the Official Top 75)

Thanks for clarifying that, Soldatti.

What's "wsf"?

FWIW, the Official UK charts site lists one week...  Huh

Still - one week or 31, it's all good.

really?
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Re: 'Exile On Main St.' Reissue News
Reply #1638 - May 23rd, 2010 at 1:00pm
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This band has promise I tell you. Shit!
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Re: 'Exile On Main St.' Reissue News
Reply #1639 - May 23rd, 2010 at 1:01pm
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official

http://www.theofficialcharts.com/

Fucking incredible

First act EVER to top the charts in five different decades (would have been six had they sold 11 more copies of 40 Licks, released the same week as Elvis' 30 Number 1s album)
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Re: 'Exile On Main St.' Reissue News
Reply #1640 - May 23rd, 2010 at 1:12pm
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AMAZING!!!


The Greatest Rock and Roll Band in the World has returned to the top.
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Re: 'Exile On Main St.' Reissue News
Reply #1641 - May 23rd, 2010 at 1:17pm
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Gazza wrote on May 23rd, 2010 at 1:01pm:
First act EVER to top the charts in five different decades (would have been six had they sold 11 more copies of 40 Licks, released the same week as Elvis' 30 Number 1s album)

Missed it by 11!

Wow...
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Re: 'Exile On Main St.' Reissue News
Reply #1642 - May 23rd, 2010 at 1:28pm
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Very impressive indeed. Wasn't 40 Licks a hits compilation? (I know, I could Google it)


I'm gonna have to buy the vinyl release of Exile.
This will be my 9th purchase of Exile on vinyl, as I kept losing it or lent it out without ever getting it back.
But for this audio upgrade, it will be a pleasure.
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Re: 'Exile On Main St.' Reissue News
Reply #1643 - May 23rd, 2010 at 1:32pm
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Gazza wrote on May 23rd, 2010 at 12:57pm:

...

YES!

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"She delivers right on time,&&I can't resist a corny line, &&But take the shine right off your shoes"&&&&"When I die I want to be burned and blown up Gazza's ass. Is he up for that? Is he a true stones fan. I know Voodoo would do it." - TomL '07&&...        ...        ...          ...          ...&&..'til the wheels come off...
 
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Re: 'Exile On Main St.' Reissue News
Reply #1644 - May 23rd, 2010 at 1:44pm
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fuman wrote on May 23rd, 2010 at 1:28pm:
Wasn't 40 Licks a hits compilation?

Yep. 36 hits, plus four new songs - 'Don't Stop', 'Keys To Your Love', 'Stealing My Heart' and 'Losing My Touch'.

BTW, if you'd bought it, they would've only been 10 short... Wink
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Re: 'Exile On Main St.' Reissue News
Reply #1645 - May 23rd, 2010 at 2:00pm
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left shoe shuffle wrote on May 23rd, 2010 at 1:44pm:
fuman wrote on May 23rd, 2010 at 1:28pm:
Wasn't 40 Licks a hits compilation?

Yep. 36 hits, plus four new songs - 'Don't Stop', 'Keys To Your Love', 'Stealing My Heart' and 'Losing My Touch'.

BTW, if you'd bought it, they would've only been 10 short... Wink



Ha, good one.

Shortly after 40 Licks came out, I made a compilation of Mick Taylor's Love In Vain solos (the 2nd solo, mostly '72 & '73 stuff).
I called it 41 Licks . . .

It's one lick better than the Stones new 40 Licks.
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Re: 'Exile On Main St.' Reissue News
Reply #1646 - May 23rd, 2010 at 2:03pm
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left shoe shuffle wrote on May 23rd, 2010 at 1:17pm:
Gazza wrote on May 23rd, 2010 at 1:01pm:
First act EVER to top the charts in five different decades (would have been six had they sold 11 more copies of 40 Licks, released the same week as Elvis' 30 Number 1s album)

Missed it by 11!

Wow...



Thats in the UK. It did top the charts in some countries and even topped the Global Charts. Hell, I think even 'Streets of Love' topped the Italian singles charts.
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Re: 'Exile On Main St.' Reissue News
Reply #1647 - May 23rd, 2010 at 2:06pm
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Ironic that every time anyone talks about the charts or posts 'polls' which show the Stones trailing badly, we all scoff at the appalling taste that the general public has......

The greatest album of all time is number 1 in the charts.

Again.

And they didnt have to rely on a posthumous cash-in to achieve it either.

There's hope for civilization yet.
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Re: 'Exile On Main St.' Reissue News
Reply #1648 - May 23rd, 2010 at 2:12pm
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Gazza wrote on May 23rd, 2010 at 2:03pm:
left shoe shuffle wrote on May 23rd, 2010 at 1:17pm:
Gazza wrote on May 23rd, 2010 at 1:01pm:
First act EVER to top the charts in five different decades (would have been six had they sold 11 more copies of 40 Licks, released the same week as Elvis' 30 Number 1s album)

Missed it by 11!

Wow...

Thats in the UK. It did top the charts in some countries and even topped the Global Charts. Hell, I think even 'Streets of Love' topped the Italian singles charts.

#2 in the US, too.

Hit us with some numbers, Soldatti!
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Re: 'Exile On Main St.' Reissue News
Reply #1649 - May 23rd, 2010 at 2:13pm
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what we do™
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