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Rev 20 Redlights
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1) We discussed two ways of ranking albums, peak-iconic-tracks versus consistency-unskipability. Here's another way, which is the most fun -- makes the best parlor game. Level-the-playing-field. Their album with the least tracks has only eight. So, consider only your fave eight tracks from each album. I mean, this is basically how I listen to them anyway. So in my rankings, according to this method certain albums zoom into being, for me, competitive, for example, Bigger Bang and England's Newest Hitmakers...
2) Speaking of Bang, yeah, Laugh I Nearly Died is a neglected masterpiece. Also a masterpiece imo, although not so neglected (it surprisingly always shows up in their Top 50 Streaming) is Heaven. I've loved it from day 1, and once I discovered its secret, I've loved it twice as much. HEaveN = HEroiN. The track evokes the exact feeling of when you have a steady supply, the feeling of a rich guy's opium room (whereas the Velvet Underground's Heroin evokes the street junkie always having to desperately hustle to secure the next fix)
"Nothing will harm you, no one will stand in your way. Nothing, there's nothing..."
3) Brace yourselves (if you care about such things) for a bit of a shock as far as FT's USA chart performance. I've railed a few times already against this totally corrupt passive-listener algorithm- shit. But what can a poor boy do, except to get back to my current heroin-like addiction, Foreign Tongues
4) Okay, i guess i'm ready to skip a track, but not because it is weak -- it is so fucking strong -- in fact, i think it is the most HARD track they have ever done, HARD as metal, HARDER than anything from their Golden era, so HARD it is out of keeping with the rest of the album. I regard it now as a palate cleanser -- it says "yeah, fuck you, we can still play like this, but that's not what we're gonna do on this album".
5) so I'm wondering why i'm not just enjoying this album, but actually getting chills from it every day. I mean, as i've previously written, a big part of that is that it is just so Stonesy, so defiant. But it has slowly dawned on me that another big part of it is that it is also (miraculously) extremely and uncharacteristically melodic. Verses, choruses, pre-choruses, and bridges -- almost all with catchy melodies.
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