WaiteringOnAFiend wrote on May 21
st, 2013 at 3:53pm:
I'm not sure it's for anyone to say what/who/which the real MJ is, swee' Justin.
I'm not sure there's anything particularly special about the moment (which you mentioned) of his concern/anticipation; in the sense that the Stains' interplay always seems lovely and special to me (albeit more subtle usually). MJ seems, to me, to be doing this sort of thing all the time. He's the singer and orchestra-leader, shirley, and he's presumably accepting of a bit of extended-wanking but keen there isn't too much of it, and that structure is balanced with playfulness.
Someone, I think said that MJ 'got a bit lost' or anxious or something later in the show yesterday. If I'm not mistaken, could someone please elaborate / expatiate on this?
All good points. The fact is I thought it was refreshing to see Mick almost without control for those few moments. He tried to steer the ship a certain direction but the tides were way too strong for him. It was, for me, something I had never really seen before and was very entertained by! Because I as well felt like I was going along for the ride and not knowing where Taylor was going. For a small moment, things were legitimately unpredictable.
It may have been me who mentioned MJ being a little anxious. But not without good reason, there were a huge chunk of new songs in the set and everyone was on their toes. But mainly, the huge traffic jam on "One More Shot" seemed to have left a bad taste in his mouth for the rest of the show. After that train wreck, Mick seemed to have been unsure about simple changes in songs like "Tumblin Dice" or "Sympathy For The Devil", needing assurance from Chuck that he was singing the correct parts or even on pitch. I specifically recall a moment when Mick was confused about when Ronnie's solo came in during "Start Me Up." He was giving some points and cues even though it was way too early in the song. He and Ronnie shared a laugh about it. I also recall at one point Mick making a face in frustration as he turned over to Chuck for a nod of approval, and Chuck wasn't looking up to give him one. In fact, I noticed a lot of times when Mick turned to Chuck and Chuck was playing, head down, focused on his work--which I thought was weird because he always made himself available for direction and guidance for all the members throughout each song. At times, Chuck seemed to almost ignore Mick for extra help. But I do no mean that in a negative connotation. It looked to me as if Chuck was handing them back the trust to work things out on their own. Just my own observation and opinion there.