andrews27
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Wake up Bowie or we all through!!
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Pittsburgh, PA, USA
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I listened to it from the next room while on the internet and having a beer - and, as Stones music, it was enjoyable, probably better than the four new tracks on Forty Licks. I haven't stopped to pick apart the overdubs from the original, except where obvious, and they're not painfully obvious.
"Maybe the deal is," I said to myself, "that they should just make some more moody, sludgy stuff like this, or the Olympic tracks on Metamorphosis ("Family," etc.) instead of trying to reinvent the wheel with every flash album - because they've hardly been England's Oldest Hitmakers."
They could easily work sets of new stuff like this into a sideshow of the live act, maybe including seldom-played Exile tracks like "Sweet Black Angel," "Ventilator Blues," and "Let it Loose." That sort of suite would be preferable to playing all of Exile live, as discussed.
It also crossed my mind that they've got Ronnie - once a past master at ingratiating acoustic and electric guitars into the same song, for Faces and solo Rod. Why not prop him up and go in that direction, which would be a Ronnie-style step toward that Exile or Beggars Banquet vibe.
Really, these guys should listen to their own bootlegs - "Yellow Cab, "Fiji Jim," e. g. - and discover why people like this tossed-off-with-passion-and-error feel. That feel worked for the Faces. The Stones need to loosen up, not tighten up.
Was Exile - being locked in a Gestapo maison in sweaty, dangerous South-of-France - like being locked in that grotty kitchen by Andrew Oldham? Maybe they need to be knifed in that dirty, filthy basement again.
I give it a 4 for its self-educational potential.
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