' joey , does jb like ' rock band ' ? "
Yes Some Guy .................... ! :
" We talked to a ton of people for this month's The Beatles: Rock Band special, but no one was more special than the legendary Sir Paul McCartney. Aside from being knighted for his unparalleled contributions to music which have also earned him multiple Grammy and Academy Awards McCartney has been a strong advocate for animal rights and music education, and helped organize The Concert for New York City, a charity to aid the families of 9/11 victims. McCartney was an integral advisor for The Beatles: Rock Band video game, and sat down with us to discuss how the game came to fruition, as well as whether the Beatles' music will ever be available for download, and how the newly re-mastered albums sound.
GI: Thanks again for taking some time out of your morning to come and chat with us.
Paul: Yeah, okay man.
GI: It's great to be able to get your thoughts on the game a bit. I was interested to hear how you were first approached about The Beatles: Rock Band project. Did the idea to be involved in video games come from outside, or did you all think you should pursue that option and then sought out a partner?
Paul: We're always kind of looking for ideas. Post-the actual Beatles career, what tends to happen is ideas just come in, people say, "Do you want to do a movie? You wanna do a thing? Do you want to do a show in Vegas?" So we sift those ideas, as they come to us. I believe this came to us via Dhani Harrison, who's a gamer and he's of the generation. So he came up in conversation, "Would you like to do a video game?" And I was like, "Yeah, how would that work? Talk to me." He's like, "You can do this, you can do this, we'll call people who can do it, Harmonix and Rock Band people."
"Yeah, let's just see, let's talk to them." So it came in as an idea and I think just immediately we were interested in it. Then it was either going to be great or not, like The Love Show, like any of these other ideas. If it wasn't a good idea, then we'd go, "We're cool on it." If it's a good idea we heat up; like this one, it just got better and better.
GI: Over the years it's seems like very few projects have had The Beatles officially licensing... What was it do you think that made Rock Band different as you guys were looking at it? What were the high points that made you give the thumbs up?
Paul: Well as I say, you know, talking to the guys who first of all demonstrated the idea to us, and showed us some of their other stuff like Metallica and stuff and said, "This is what it's about." I guess they sold us the idea and it just seemed so attractive. And they said, "You see what it'd be is it'd be you guys, and what we want to do is go back to Cavern and then we want to come through and there would be this period, the psychedelic period, Shea Stadium period." And they told a good story. And I said, "Well, I can see that." Obviously that combined with the fact that we knew this generation of kids and not-kids, there are kind of an awful lot of people who are older that play it, and that it's something that they're passionately interested in. It just obviously made up into an interesting idea. So we just kept saying to them, "Well, if you want to do that song, show us how you might do it. Show us what graphics you would do." And then as it went along we kind of just said, "I look terrible there, that looks nothing like me." And they say, "We're working on it, it's okay." I say, "Ringo doesn't drum like that." So that was really all the input we could give having been there, having made the original records. Then we could say, "Well, that isn't all guitar, that's a piano part."And they'd say, "Yeah, we've got to wangle it a bit."
So it became just fun for us, these sessions we'd have every so often when they operated it. And they were excited. And we were excited. It became a mutual excitement, this idea of, "We can do this, this is going to work." We finally got the eyes right, they're awesome.
GI: The eyes are hard.
Paul: That's exactly what they said to us, the eyes are hard. It's funny, I like that. I'm an enthusiastic person, so I'm intrigued by that kind of thing. I realize now I see some animation things I've got a five-year-old daughter, so I watch a lot of animation films. I notice the eyes are hard. Some people look very weird, because they obviously ran out of budget right about the eyes. So yeah, we just got excited. It just grew to something very exciting. "
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