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Anything Springsteen  on RO... Part 4a (Read 639,857 times)
Mel Belli
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Re: Anything Springsteen  on RO... Part 4a
Reply #3225 - Dec 22nd, 2009 at 8:53am
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First half of "Early Show" interview this morning:
http://www.cbsnews.com/video/watch/?id=6009558n&tag=cbsnewsVideoArea.0
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fka Sandrew (a proud Rocks Off member since November 2001)&&&&"The Rolling Stones don't want any money ... so I'll keep it." - Melvin Belli, "Gimme Shelter"&&&&"We act so greedy, makes me sick sick sick."&&&&...
 
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PartyDoll MEG
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Re: Anything Springsteen  on RO... Part 4a
Reply #3226 - Dec 22nd, 2009 at 9:48am
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Thanks Mel!  Hopefully the second part shows up somewhere!


Update....Part 2

(What's with Julie's hair?!!)

http://www.youtube.com/watch?v=X-EowFyt4Jg
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Mel Belli
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Re: Anything Springsteen  on RO... Part 4a
Reply #3227 - Dec 22nd, 2009 at 10:31am
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Not terribly illuminating, but a helluva better than the happenings in StonesWorld.
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fka Sandrew (a proud Rocks Off member since November 2001)&&&&"The Rolling Stones don't want any money ... so I'll keep it." - Melvin Belli, "Gimme Shelter"&&&&"We act so greedy, makes me sick sick sick."&&&&...
 
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PartyDoll MEG
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Re: Anything Springsteen  on RO... Part 4a
Reply #3228 - Dec 22nd, 2009 at 11:04am
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Mel Belli wrote on Dec 22nd, 2009 at 10:31am:
Not terribly illuminating, but a helluva better than the happenings in StonesWorld.


Yep.. I'd say so, Firehim Belli!!
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Mel Belli
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Re: Anything Springsteen  on RO... Part 4a
Reply #3229 - Dec 22nd, 2009 at 11:20am
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I'm not becoming repetitive or predictable, am I? Smiley
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fka Sandrew (a proud Rocks Off member since November 2001)&&&&"The Rolling Stones don't want any money ... so I'll keep it." - Melvin Belli, "Gimme Shelter"&&&&"We act so greedy, makes me sick sick sick."&&&&...
 
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Re: Anything Springsteen  on RO... Part 4a
Reply #3230 - Dec 22nd, 2009 at 5:19pm
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Springsteen's Epic Decade: Bruce on "The Rising" to "Working on a Dream"


"The band hit the road in this decade as the best E Street Band that's been out there"

BRIAN HIATT Posted Dec 22, 2009 12:02 PM

...
Kambouris/WireImage.com


The Rolling Stone editors picked eight stars — from Bruce and Beyoncé to Radiohead and U2 — who not only made the best music but also led the way as Artists of the Decade in our new issue. Here's more of our conversation with Bruce Springsteen from our interview backstage in Buffalo, New York, on the final date of the E Street Band's two-year tour. For our full story, grab the issue now.

On Making The Rising:
My big question when I put the band back together was if we were going to have real work left to do. I wasn't interested in just going out and repeating what we'd done. I was interested in a renewal of the band — and that meant I would need to write the kind of music that would stand alongside our best records and feel connected to the sense of purpose that the band strove for since its inception. On the reunion tour with the band, I wrote a song called "Land of Hope and Dreams" and said, "Well, that's as good of a song as any of my other songs." It could've been the last song on Darkness On The Edge Of Town. It could've been on The River. It had the power. We closed the show with it every night on that tour. Towards the end of the tour, I wrote "American Skin (41 Shots)." These two songs taken together are just as good as two songs about real issues that I've ever written. It gave me the confidence that I could continue to write for the band. The band had work to do to expand its influence, its power, whatever small bit of culture-shaping you can do with rock music. And so I pursued that.

We struggled to record a few songs after our "reunion tour." We went into the studio with our usual team and we couldn't come up with something that sounded fresh enough. Then [former Sony Music chairman] Donny Ienner turned me on to Brendan O'Brien, who worked with Pearl Jam and Rage Against the Machine. We got together, I think we did "Into the Fire," and he said, "Go home and write some more of those." And that's pretty much what I did.

The Rising came, obviously, directly out of 9/11. But it wasn't purely linked to the event, either, if you go back and listen to the way the music was written; it was broad enough to be political, personal, of the moment. We made the record in three weeks or four weeks, on and off, and it was a real statement of renewal and purpose for the E Street Band. It was an extension of the service we provided through the Seventies and Eighties. Once we got there, music just started coming.

On Magic and Working On A Dream:
Magic was obviously a response to Bush Administration and the terrible eight years of American history that left us in the shape we are in today. That was an angry record about how your country can disappear before your eyes, sort of very quietly in the night.

With Working On A Dream, I got to say, "OK, I did sort of the dirty work on Magic" and I was interested in making a rock record about mortality and love. In the past I was very often interested in making sure the music had a certain toughness. But I felt I could move away from that surface toughness and draw on some of the great music I loved in a way that I didn't allow myself to in the past. I felt I had the freedom to make, for instance, a big swinging, melodic ballad that uses the cosmos and stars as a metaphor for life and time and love. Overall, it was a little bit of a love record: "Surprise Surprise," "Kingdom of Days," "What Love Can Do." "Outlaw Pete," that was me throwing it back to the Wild And The Innocent and coming up with a little operetta that's an overview of an entire life of somebody — he struggles to connect and in the end doesn't quite get there. That's a story I've been involved in telling for a long time.

On Touring:
The band hit the road in this decade as, in my opinion, as the best E Street Band that's been out there: plays the best, knows the most. We lost Danny [Federici]. That was a big tragedy for us. One of the things I was proudest of was we were one of the few bands of our generations with all of its members intact and alive and well and happy to be onstage alongside one another.

We're playing for an audience that will outlive us. Literally young kids, middle-kids, teenagers — an enormous percentage of the audience have never seen the band except here tonight, had never seen the band in its earlier incarnation. I think the idea that we can carry the legacy of the band into these times was a great, great motivating factor.

On the Lessons of the Decade:
I think everybody in the band recognized, "OK, the guy standing next to me is more important than I may sometimes think he is." Where bands fall apart is when they lose that perspective. And that's easy to do, so you realize, "OK, we're performing as a unit." When people come in to see Clarence on stage. To see me standing next to him. To see Steve there, Nils, Patti. Those are very powerful totems, very powerful symbols of lifelong commitment. It suggests a possible "us" that can be held together and kept together through the most difficult times. It's one of the things that just the presence of the band onstage together evokes. So I think you learn the greater importance of working as a team.

I've learned how important my work is to me, but that's not a surprise. And I've learned about integrating family life into music. That's hard to do and Patti is an enormous force in allowing us to simply be on the road these past 10 years.

On the Next Decade:
I have all the tools I need: I could play by myself; I could play with the Sessions Band which I'd like to do again; and the E Street Band is in full power, and I certainly want us to go out and continue touring. As far as songwriting, I don't worry about that anymore for some reason when I hit my fifties a lot of the insecurities fell away. I no longer have to work so hard to carve out my initial identity. That's there now, so I can drift left and right and then come back to the center with the band if I want to. I think I'm going to be able to continue to write topically and hopefully powerfully about what's going on inside of me and what's going on outside in other peoples lives. The writing has become very enjoyable and joyful and not particularly difficult — and the record-making now happens within a month. because its all in... if we do it and also the writing...

So now we want to take it out as far as we can go, have the guys stay happy, healthy. We play three hours any night and last night we played three and a half. I don't feel any different physically on stage than I felt in my late thirties, which is a good thing. I've got things going already. I have songs I'm writing and all different kinds of things — time off is always my struggle. I'm not great at sitting still, I have to practice doing that. But we do have some time off now where we can sink back into life.

www.rollingstone.com
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sweetcharmedlife
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Re: Anything Springsteen  on RO... Part 4a
Reply #3231 - Dec 29th, 2009 at 3:33pm
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Just a reminder to those in the U.S. the Kennedy Center Honors show is on tonight on CBS from 9-11.
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Re: Anything Springsteen  on RO... Part 4a
Reply #3232 - Dec 29th, 2009 at 5:22pm
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Dave Marsh's piece from the Kennedy Center Honors program:

After Born in the U.S.A., I used to tell people who asked what it was like to know Bruce Springsteen that when he left on that tour, he was my friend who used to come over and sit on the couch and afterward, he and Clarence Clemons had become Paul Bunyan and Babe the Blue Ox.

This was a lie. After the tour, he was still my friend, and still sat on the couch. Other people may have thought he and the Big Man were characters out of an American fable but Bruce knew better. That is not to say that he didn't live out, write out, act out and play out the American dream about as well as anyone ever has, even down to writing his own second act with The Rising and the records that followed it.

I've been writing about popular culture, as boy and journalist, for 40 years. In that time I've known or at least interviewed or met most of the classic rock stars. None of them has kept his persona so close to his person and, for certain, no artist I know in any medium has worked so diligently as Bruce Springsteen to keep his work personal without sacrificing what makes it universal, to at least a large swathe of his fellow world-citizens.

Bruce pulls this off because he's blessed with a singular fearlessness about being ordinary, an unsurpassed ability to turn the everyday (I was going to say "the quotidian," but he wouldn't) into drama and romance. He also possesses a native sense of stagecraft and narrative; an abiding belief in the verities of rock 'n' roll, particularly devotion to repetition and the backbeat; a subtle understanding of the minute distance between Saturday night and Sunday morning; a concrete determination to reach the lowest and the most distant people in his universe; a genius for creating musical anthems and lyrical summations; a stock of characters so deep it seems impossible that all of them aren't as real as Madame Marie; a faith in the genius of simplicity and a refusal to apologize for his own complexity.

OK, that's the art stuff. You probably want to know about the person.

A friend of mine claims that Bruce once served him the best turkey sandwich ever made. (I was there. It was really, really, really good.) Bruce also has excellent taste in, among other things, tequila, bourbon, soul and gospel music, painting and photography, dogs and musical instruments. I know him just well enough to be unsure I know him (as opposed to his work) deeply, but when the darkest deal went down for my family, he was there with all he had. Which is to say, I am quite sure he knows me.

Now that Bruce has boogalooed down Broadway and come back home with the loot, he's probably got enough money to run for Senator from New Jersey, if not for mayor of New York. But when someone asked if I thought he'd stand for office, the answer came easily: "Why would he want a job with less power and prestige than the one he's already got?" In the history of the United States, no Senator has ever had hundreds of fans crowd into a side street, and stand all night long beneath a hotel balcony to serenade him with his own songs, which is what happens when Bruce plays Barcelona.

I don't think of Bruce as very political, despite his involvement in the last couple of Presidential campaigns. He's really a moral actor, a person of strong convictions whose basic life experiences, starting with an economically insecure childhood and then a struggle through the ranks of professional musicianship along the Jersey store (OK, it was more a rocket ride than a struggle, but he still didn't get paid much). His root allegiances, as derived from his songs because they are the most trustworthy source, are to people endangered, erased or forgotten-Vietnam vets, the homeless, the unemployed, single mothers, unwanted immigrants, the broke, the hungry, the uprooted, and those who travel the turnpike with broken radios.

Bruce Springsteen may someday be known as a first-rate photographer, a slapdash but hilarious cartoonist, one of the consummate rock 'n' roll guitar players and, for that matter, as one of the greatest blue-eyed soul singers ever. He already is all those things, it's just a matter of the world figuring it out.

He is as private as any public figure of our time. I don't mean private as in secluded or hidden. He doesn't just still own a house in central New Jersey, where he grew up. He actually lives there: Walks down the sidewalk with his kids, shops in the stores with his wife, parks on the street, hits the beach and the gym as often as time will allow, these days even does some important recording (his version of work) there. Not that nothing's changed: I bet he doesn't get as many speeding tickets as in the old days.

Let's see, what have I left out. Ah yes: Love.

Love is Bruce Springsteen's center, the one tour sponsor he's ever acknowledged, the thing he wanted to know at the beginning (and yes, he tells us, it is real).

I'm not talking about Bruce as co-crafter of a long-term marriage with a fellow artist or as the very active father of three terrific kids. Once he got going he made doing that stuff look a lot easier than it is. More to tonight's point, Bruce is the wizard of nurturing an audience toward community.

It's impossible to overestimate how much he has given the people who share his musical life, the tramps like us, the ones who had a notion, the people working on their dreams and counting on a miracle. On stage, he lets those folks get close, basks in their adoration and then he pours it right back out to them. More important, he trusts them to share it, with each other and with strangers. That's really what his nightly talk about this city's food bank or that town's shelter for battered women is about.

Bruce Springsteen is, like Woody Guthrie and damned few others, a democrat in spirit and in practice, and he challenges all of his listeners to be and to do the same.

His train that's bound for glory carries saints and sinners, losers and winners, whores and gamblers, fools and kings, the brokenhearted, thieves and souls departed. His train is not destined for a metal-flake city on a hill; it comes from down in the valley and while it doesn't intend to stay there, it doesn't mean to forget it, either.

He set out to change himself and he wound up, in a hundred little ways and a couple of big ones, changing the world or our perceptions of it, which is pretty much the same thing. In the process, he has not remained the same person-because that would be a colossal failure-but he has become something like the guy he wanted to be. He has walked tall, finding poetry in guys wearing tube socks and women at checkout stands, has truly rocked all over the world and found the rock 'n' roll heart of Ellis Island. He's made us proud of our nation when we should have been and left us ashamed of its behavior when that needed to be said.

Let me end with the way I feel about him, as a friend and as an artist, and let me say it directly: Bruce is the brother I would like to have, and more than that, he is the sort of person whose brother I would like to be worthy of being.
-Dave Marsh

www.backstreets.com
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PartyDoll MEG
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Re: Anything Springsteen  on RO... Part 4a
Reply #3233 - Dec 29th, 2009 at 9:37pm
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Can I just say I love Jon Stewart(she says with tears in her eyes)!!!! Cool Cool
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Mel Belli
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Re: Anything Springsteen  on RO... Part 4a
Reply #3234 - Dec 29th, 2009 at 9:59pm
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Uncommonly good Honors, all around. I don't believe I've ever seen a more genuine or delighted smile than Dave Brubeck's -- and then to see him rockin' out to "Born in the U.S.A."! Which, courtesy of John Mellencamp, kind of sucked.

But each Bruce tribute got better than the last. Vedder's understated "Ruins" was probably my favorite, but Sting brought it on "The Rising."
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fka Sandrew (a proud Rocks Off member since November 2001)&&&&"The Rolling Stones don't want any money ... so I'll keep it." - Melvin Belli, "Gimme Shelter"&&&&"We act so greedy, makes me sick sick sick."&&&&...
 
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Re: Anything Springsteen  on RO... Part 4a
Reply #3235 - Dec 29th, 2009 at 10:07pm
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Yes it is a good night for Bruce fans! What a great tribute.  Loved watching Bruce nod his head to the music!

Mellencamp was the weak link, but he had good intentions with BITUSA but the rest was stellar!

Vedder and Sting were amazing...
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Re: Anything Springsteen  on RO... Part 4a
Reply #3236 - Dec 30th, 2009 at 5:03am
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Martha
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Re: Anything Springsteen  on RO... Part 4a
Reply #3237 - Dec 30th, 2009 at 11:54am
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Weak?!?!   I thought Johnny's performance and interpretation was the best tribute of the night.  It was beautiful.

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Re: Anything Springsteen  on RO... Part 4a
Reply #3238 - Dec 30th, 2009 at 3:36pm
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Agree that JCM was the lowlight.
Muffing the lyrics didn't help.

Sorry, Martha.

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Re: Anything Springsteen  on RO... Part 4a
Reply #3239 - Dec 30th, 2009 at 9:06pm
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In case anybody missed it. The entire show is on You Tube.(in parts of course).http://www.youtube.com/user/LateNight2016#p/u/11/FKZAVGQ71hA
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Martha
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Re: Anything Springsteen  on RO... Part 4a
Reply #3240 - Dec 31st, 2009 at 11:36am
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left shoe shuffle wrote on Dec 30th, 2009 at 3:36pm:
Agree that JCM was the lowlight.
Muffing the lyrics didn't help.

Sorry, Martha.



I didn't catch any muffing....
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Re: Anything Springsteen  on RO... Part 4a
Reply #3241 - Dec 31st, 2009 at 11:50am
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Mel Belli
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Re: Anything Springsteen  on RO... Part 4a
Reply #3242 - Dec 31st, 2009 at 12:21pm
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First line, mangled. How is that possible, with a TelePrompter right in front of you?
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fka Sandrew (a proud Rocks Off member since November 2001)&&&&"The Rolling Stones don't want any money ... so I'll keep it." - Melvin Belli, "Gimme Shelter"&&&&"We act so greedy, makes me sick sick sick."&&&&...
 
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Re: Anything Springsteen  on RO... Part 4a
Reply #3243 - Dec 31st, 2009 at 12:43pm
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Worse was flipping "sent me off to a foreign land, to go and kill the yellow man".

On a positive note, it was nice to see him playing with Kenny Aronoff again, even if Kenny was in the house band.
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Re: Anything Springsteen  on RO... Part 4a
Reply #3244 - Dec 31st, 2009 at 12:54pm
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None of the Springsteen performances were good except the Sting and Vedder ones. Melissa sucked hard. I found myself laughing out loud at her performance as well as the duet. Whoever they were, they should be beaten in the streets like wild dogs.
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I LIVE FOR THE ROLLING STONES!
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Devoted Stones fan since time began. SMILE. THE ROLLING STONES ARE HERE.

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Re: Anything Springsteen  on RO... Part 4a
Reply #3245 - Jan 2nd, 2010 at 7:51am
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This is fuckin' AMAZING quality...long live Crystal Cat!Smiley

http://www.dimeadozen.org/torrents-details.php?id=283500

Bruce Springsteen - 2009-11-07 New York City First Dream Night CC 959-961
Info hash      b4fd19c2a949c3df35143dc0400c7f80a65c17e8
Description      New York City First Dream Night, CC 959-961
Sat 7. nov 2009
Madison Square Garden, New York City NY


Original Silver Discs --> EAC (Secure) --> Waw --> Flac Level 8 & Align --> Jungleland
EAC Log Files and md5 Files included.

I don't have a scanner so no artwork yet.


101 - Intro
102 - Thundercrack
103 - Seeds
104 - Prove It All Night
105 - Hungry Heart
106 - Working On A Dream
107 - Introduction to THE WILD, The INNOCENT AND THE E STREET SHUFFLE
108 - The E Street SHuffle
109 - 4th Of July Asbury Park (Sandy)
110 - Kitty's Back
111 - Wild Billy's Cirkus Story
112 - Incident On 57th Street


201 - Rosalita (Come Out Tonight)
202 - New York City Serenade
203 - Waiting On A Sunny Day
204 - Raise Your Hand
205 - Does This Bus Stop At 82nd Street
206 - Glory Days
207 - Human Touch
208 - Lonesome Day
209 - The Rising
210 - Born To Run
211 - Wrecking Ball
212 - Bobby Jean


301 - American Land
302 - Dancing In The Dark
303 - (Your Love Keeps Lifting Me) Higher And Higher
304 - Tenth Avenue Freeze Out *
305 - Hold On, I'm Coming *
306 - Soul Man *
307 - The Ghost Of Tom Joad *
308 - Fortunate Son *
309 - Proud Mary *
310 - Pretty Woman *
311 - Jungleland *
312 - A Fine, Fine Boy *

Bonus tracks Disc 3:
4-12 29. October 2009, 25th Anniversary Rock And Roll Hall Of Fame
Madison Square Garden, New York City NY U.S.A
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Re: Anything Springsteen  on RO... Part 4a
Reply #3246 - Jan 2nd, 2010 at 8:04am
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Agree that the CC recording is top notch.
However, they split the 'Incident On 57th Street' > 'Rosalita' segue.  ...

The fixed version (sans bonus tracks) is up at Jungleland.
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« Last Edit: Jan 2nd, 2010 at 8:09am by left shoe shuffle »  

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Re: Anything Springsteen  on RO... Part 4a
Reply #3247 - Jan 13th, 2010 at 6:08am
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No "new"  news to report, but a new official "bruce" video out  for the album "By the People, For the People"

http://www.youtube.com/watch?v=15O34MS3CZ0
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Re: Anything Springsteen  on RO... Part 4a
Reply #3248 - Jan 13th, 2010 at 12:00pm
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Here's Bruce in St. Bart's yesterday.

I believe Meg is catching a flight for St. Bart's ASAP....

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Re: Anything Springsteen  on RO... Part 4a
Reply #3249 - Jan 13th, 2010 at 12:45pm
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Seems like birds and old rock stars have something in common. They both fly south for the winter. Cheesy
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