stonedinaustralia wrote on Feb 25
th, 2018 at 8:57pm:
[quote author=5A51494619191A1B1118280 link=1519610294/0#0 date=1519610294]
he's not high in any scene of the film.
quote]
That's debatable. He looks pretty wiped-out and barely present and you can see why his guitar wasn't miced up. Anyone with fundamental idea of guitar playing can see (even without hearing) that he is struggling to simply play along with the chord progression much less add anything of significance.
Where does he look wiped out to you? Also, his guitar isn't heard not because he's not micced up but because he's not an open mic. You also don't hear Bill's bass for the same reason. The camera is only capturing the sounds of the room, not the sounds of the individual mics. You can hear his acoustic toward the end of the film before it was mixed out. He is also in the very first scene of the film playing with Mick and Keith and having no issues playing.
Quote:As to his legacy, well, given he died nearly 50 years ago it's not surprising that hard core fans aside he is barely remembered. A lot of so-called "fans" today may even have scant to no knowledge of Mick Taylor and the importance of his contribution.
But look at Jimi or Janis or Jim Morrison - they're dead nearly as long. Only 2 years apart. And then compare their legacies to Brian's.
Quote:Amongst the more hard core of us I'm sure his contribution is remembered - his drive for success and his musical ability in particular. His slide guitar on Little Red Rooster alone is enough to secure his legacy. The fact that that song, a slow tempo down home blues with bottle neck slide, not only made the charts but was a top 10 hit is a testament to (and perhaps the high water mark of) Brian's contribution.
But you say that's the high water mark of his career/contribution, I'd disagree. I mean what of Paint it Black? Street Fighting Man? Jumping Jack Flash? All of these are high water marks in the band's history and for which he contributed something. I mean, when people talk about Paint it Black, it's the sitar use that's most often mentioned. Street Fighting Man, where his sitar and tambura make an acoustic song sound electronic? Jumpin' Jack Flash - his image alone in the video seems to have inspired the modern "heroin chic" rocker look (even though he never did heroin, ironically).
Even less well known stuff like Lady Jane, where his dulcimer is what makes the song's melody or Ruby Tuesday (which he is generally said to have co-written musically) - his recorder and piano playing is the backbone of the song.
Quote:There's no doubt he has been air-brushed out of the Stone's history to a large degree. Indeed so has Bill but maybe not quite so much - see the cover of the (so called) Rarities release where he (bill) has mysteriously disappeared in a wonderfully Stalinist fashion.
As the saying goes - "History belongs to the victors"
I hate Mick and Keith sometimes for doing this. They did the same thing to Mick Taylor when Ladies & Gentlemen was officially released - mixed him much lower than he actually played. You hear Keith's meh rhythm over Mick's really inspired and exciting lead lines. It's fucking annoying.
Mick & Keith are two of the most ungrateful people in the music biz. They got lucky so many times and don't care to give credit where it's due. Brian helped make their music three dimensional. Taylor saved their asses. They could've been dead in the water after separating from Brian since he was one of the stars of the band - Taylor's talent saved them and allowed them to remain competitive into the 70s.
They should really just open the fucking vaults already to everything, promote all eras of the band equally and stop being bitter. They're old men. Brian died 49 years ago - let the animosity they hold for him still go - Taylor left 44 years ago - let that hurt go already.