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Anything Dylan  on RO... Part 5d (Read 511,956 times)
Voodoo Chile in Wonderland
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Re: Anything Dylan  on RO... Part 5d
Reply #2150 - Jun 11th, 2019 at 6:28pm
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The Inside Story of Bob Dylan and Martin Scorsese’s New ‘Rolling Thunder Revue’ Doc

How new interviews and previously unseen footage provide the seed for an incredible look back about one of Dylan’s greatest tours

By ANDY GREENE      


https://www.rollingstone.com/movies/movie-features/the-inside-story-of-bob-dylan...
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Re: Anything Dylan  on RO... Part 5d
Reply #2151 - Jun 21st, 2019 at 7:28pm
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Dylan & Scorsese © Óscar Castro
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Re: Anything Dylan  on RO... Part 5d
Reply #2152 - Sep 17th, 2019 at 7:23pm
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LOL can‘t believe this, let me tell you… I am listening my very old records, especially those who I have years not listening… yesterday I heard Lowell George’s album “Thanks I’ll eat here” and discovered that Bob Dylan is in the cover!! I have 40 years with that record and didn’t realize it’s Dylan, I noticed since day one that there’s Fidel Castro Ruz and with the food is a copy a “Howl” by Allen Gingsberg, but never realized it’s Dylan there…

This is the detail scanned today from my record

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and this is the whole cover as found on the web

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Re: Anything Dylan  on RO... Part 5d
Reply #2153 - Sep 18th, 2019 at 12:23pm
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That portion of the cover was inspired on Manet's Le Déjeuner sur l'herbe

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Re: Anything Dylan  on RO... Part 5d
Reply #2154 - Sep 18th, 2019 at 1:58pm
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Holy fuck

The woman in the pic is Marlene Dietrich. It's a still from her 1930 film  'The Blue Angel'
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Re: Anything Dylan  on RO... Part 5d
Reply #2155 - Sep 18th, 2019 at 2:10pm
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Supposedly, the next Bootleg Series (Vol 15) is out November 1st.

An image was supposedly posted today on amazon but seems to be removed. I've seen a copy of the image but not the actual link. Cover looks like a bootleg so I'm not sure if its genuine.

If it is genuine, its apparently called 'Travelin' Thru' and covers the 1967-1969 period and the sub-title notes 'featuring Johnny Cash'

We can therefore expect the John Wesley Harding sessions from 1967 (none of which has ever circulated widely, although I dont expect anything but alternate versions of what was released) plus Nashville Skyline outtakes from February 1969 which includes the much-bootlegged session with Cash from 18th February.

Cant imagine theres much else as the 'Another Self Portrait' Bootleg series covers the period from spring '69 onwards ,  theres no known studio sessions from 1968 and apart from a couple of guest appearances backed by the band at the Woody Guthrie Tribute (Jan '68) and at a festival in Illinois in July '69, Dylan didnt give any concerts other than the already-released Isle of Wight Festival gig from August '69.
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Re: Anything Dylan  on RO... Part 5d
Reply #2156 - Sep 18th, 2019 at 7:56pm
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Gazza wrote on Sep 18th, 2019 at 1:58pm:
Holy fuck

The woman in the pic is Marlene Dietrich. It's a still from her 1930 film  'The Blue Angel'


Thanks Gazza

So the characters are Marlene Dietrich, Bob Dylan as Pan, the Greek God of nature and companion of nymphs, of which there is one in the background. Fidel Castro Ruz and the book "Howl" by Allen Gingsberg
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Re: Anything Dylan  on RO... Part 5d
Reply #2157 - Sep 20th, 2019 at 1:30pm
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https://www.rollingstone.com/music/music-news/bob-dylan-bootleg-series-johnny-ca...


In February 1969, Bob Dylan and Johnny Cash holed up in a Nashville studio for two days of loose, free-flowing sessions where they sang each other’s songs, jammed with rockabilly icon Carl Perkins, broke into spontaneous covers like “Mystery Train” and “You Are My Sunshine” and even wrote the the tune “Wanted Man” that Cash would debut at San Quentin prison just one week later. Their duet on “Girl From the North Country” appeared on Dylan’s LP Nashville Skyline later that April and select tracks from the sessions leaked out into the bootleg world over the years, but much of this material has never been heard anywhere.

That will change on November 1st with the release of Bob Dylan (Featuring Johnny Cash) — Travelin’ Thru, 1967–1969: The Bootleg Series Vol. 15. The three-CD package devotes a disc-and-a-half to the legendary Johnny Cash sessions, but it also has outtakes from the 1967 John Wesley Harding sessions and Nashville Skyline sessions that have never been bootlegged, along with a couple of Johnny Cash covers recorded for Self Portrait in 1970, the soundtrack to Dylan’s 1969 appearance on The Johnny Cash Show, and selections from Dylan’s 1970 home recording session with bluegrass great Earl Scruggs and members of his family. (Check out this preview of “I Pity the Poor Immigrant” from the John Wesley Harding sessions.)

“Besides the very early folk years, you don’t have Bob playing with a lot of other major stars up until this point in his career,” says a source close to the Dylan camp. “Here you have him doing duets with Johnny Cash, Carl Perkins, and Earl Scruggs. It’s a really deep dive into some of the music that he loves and just a really cool package. I think people will come away from it enchanted by the breadth of his catalog.”

The John Wesley Harding session have been a source of deep fascination with Dylan fans for decades. Not only have the outtakes never leaked out to the bootleg community, but the whole thing was made in just three days and he’s never talked about the songwriting process in any depth. None of the songs have choruses (unlike other works from this era) and he didn’t attempt a single one of them with the Band while they worked on The Basement Tapes in this same time period. “1967 was a very creative time period for Bob and you get the feeling he could have written them in the car ride down to Nashville,” says the source. “Who knows?”

There are just seven John Wesley Harding outtakes in this new collection. “There just doesn’t seem to be many alternate versions of the songs,” says the source. “The ones we have are often very similar to each other. We had to include ‘All Along the Watchtower,’ but it’s not like ‘All Along the Watchtower’ cha-cha or anything. But ‘I Pity the Poor Immigrant’ is great and has a completely different melody. I don’t think anything had more than three complete takes.”

(The European copyrights for the John Wesley Harding sessions have expired since they are being released after the 50-year copyright-protection window closed. That has no impact on the publishing rights, but it is technically legal for anybody to release these seven outtakes on physical sets in Europe. “I’m sure they will appear on grey market collections,” says the source. “But people don’t really buy records anymore, so it doesn’t make much of a difference.”)

Nashville Skyline was recorded across eight days in February 1969, but roughly half of the session tapes have been lost. “There was an engineer who had taken some of the tapes home and put them in a storage locker,” says the source. “Someone later bought them for a couple of grand and Sony had to buy the tapes back. Most of what we have comes from the storage locker, but the rest were lost. From the best we can tell, they are just gone. That is unusual [in relation to the rest of the Dylan catalog, which has been carefully preserved], and I think it’s just because nobody in Nashville was paying attention. They weren’t thinking about future reissues.”

Fortunately, the tapes that survive offer a fascinating glimpse into the making of Nashville Skyline. There are alternative versions of songs like “One More Night,” “Peggy Day,” and “Country Pie” that are quite different than their album counterparts. “Everyone always talks about the Wrecking Crew in Los Angeles,” says the source. “The players in Nashville from this time don’t get enough love. Wayne Moss played on Blonde on Blonde and now three years later he’s playing on ‘Country Pie.’ These guys could do anything and make it sound funky.”


None of the Johnny Cash sessions were lost and they form the heart of Travelin’ Thru. June Carter Cash was in the studio those two days and she can be heard suggesting they dust off Dylan’s 1963’s classic “Girl From the North Country,” which he hadn’t played in five years. “Bob goes, ‘I like that, I just don’t really remember it,'” says the source. “I think he only remembered one verse. We included that conversation. And every time Carl Perkins takes a solo, Johnny Cash says, ‘Carl Perkins, everybody!’ It’s so cool. If Johnny Cash, Carl Perkins, Elvis Presley, and Jerry Lee Lewis were the Million Dollar Quartet, this is the $750,000 Trio.”

For Dylan obsessives, the single most interesting song on the set will probably be “Wanted Man.” There are numerous versions of Johnny Cash performing the song over the years, but nobody has ever heard Dylan sing any of it. “They don’t have the words together, so they’re making the words up on the spot as they go along,” says the source. “You can hear June say, ‘Johnny, you need to get that ‘Wanted Man’ from Bob so you know the melody of it.'”

The set also contains Dylan and Cash duetting on “One Too Many Mornings,” “Matchbox,” “Ring of Fire,” and two medleys of Jimmie Rodgers songs. “They are just singing Jimmie Rodgers song off the top of their heads,” says the source. “Johnny starts, Bob joins in. It’s just two guys relaxing in the studio and having fun. That’s what we tried to focus on. We wanted to focus on the fun they were having.”

For the sake of completion, the set also has Dylan and Cash singing “I Threw It All Away,” “Living the Blues,” and “Girl From the North Country” from The Johnny Cash Show in June 1969 along with “Ring of Fire” and “Folsom Prison Blues” that Dylan sang on his own during the Self Portrait sessions on May 3rd, 1969.

The set ends with four songs that Dylan played with Earl Scruggs at the Carmel, New York, home of album-cover illustrator Thomas B. Allen on May 17th, 1970. The songs (“East Virginia Blues,” “To Be Alone With You,” “Honey, Just Allow Me One More Chance,” and “Nashville Skyline Rag”) were intended for the 1971 documentary Earl Scruggs: His Family and Friends along with its accompanying album Earl Scruggs Performing With His Family and Friends. “It’s a little outside of our chronology,” says the source. “But to us, it put a nice bookend on the set. They sound really relaxed and there’s a very nice, casual feeling to all of it.”

Future plans for the Bootleg Series are unclear, but a Time Out of Mind set and one that chronicles Dylan’s pre-fame folk period in Minnesota and New York are both in contention. “We’ve collected all these early tapes of him like the Minnesota Hotel Tapes and all the tapes that Tony Glover recorded,” says the source. “We have all these things in beautiful quality along with the Town Hall concert [in 1963] and the Carnegie Hall concert [in 1963]. Some day we’ll put these all together and put them out, but it’s not like people are clamoring for it. There are probably a few other areas to explore before that.”

There are no immediate plans to end the Bootleg Series, but the steep decline in the market for physical product does put its future in some jeopardy. “We have to also see how long people keep buying these things,” says the source. “We’ll see what happens. Right now, there’s a certain amount of physical that still gets sold, so we’d like to keep doing them.”

Here is the complete track listing for Travelin’ Thru, 1967–1969: The Bootleg Series Vol. 15

DISC 1

October 17, 1967
Columbia Studio A, Nashville, TN
John Wesley Harding sessions
01. Drifter’s Escape – Take 1 (Alternate Version)
02. I Dreamed I Saw St. Augustine – Take 2 (Alternate Version)

November 6, 1967
Columbia Studio A, Nashville, TN
John Wesley Harding sessions
03. All Along the Watchtower – Take 3 (Alternate Version)
04. John Wesley Harding – Take 1 (Alternate Version)
05. As I Went Out One Morning – Take 1 (Alternate Version)
06. I Pity the Poor Immigrant – Take 4 (Alternate Version)
07. I Am a Lonesome Hobo – Take 4 (Alternate Version)

Bob Dylan: vocals, guitar, harmonica
Charlie McCoy: bass
Kenneth Buttrey: drums

February 13, 1969
Columbia Studio A, Nashville, TN
Nashville Skyline sessions
08. I Threw It All Away – Take 1 (Alternate Version)
09. To Be Alone with You – Take 1 (Alternate Version)
10. Lay Lady Lay – Take 2 (Alternate Version)
11. One More Night – Take 2 (Alternate Version)
12. Western Road – Take 1 (Outtake)

February 14, 1969
Columbia Studio A, Nashville, TN
Nashville Skyline sessions
13. Peggy Day – Take 1 (Alternate Version)
14. Tell Me That It Isn’t True – Take 2 (Alternate Version)
15. Country Pie – Take 2 (Alternate Version)

Bob Dylan – vocals, guitar, piano, harmonica
Kelton D. Herston, Norman Blake, Charlie Daniels, Wayne Moss (10 & 12): guitars
Bob Wilson: piano, organ
Peter Drake: steel guitar (13-15)
Charlie McCoy: bass
Kenneth Buttrey: drums

DISC 2

February 17, 1969
Columbia Studio A, Nashville, TN
The Dylan-Cash Sessions
01. I Still Miss Someone – Take 5
02. Don’t Think Twice, It’s All Right/Understand Your Man – Rehearsal

February 18, 1969
Columbia Studio A, Nashville, TN
The Dylan-Cash Sessions
03. One Too Many Mornings – Take 3
04. Mountain Dew – Take 1
05. Mountain Dew – Take 2
06. I Still Miss Someone – Take 2
07. Careless Love – Take 1
08. Matchbox – Take 1
09. That’s All Right, Mama – Take 1
10. Mystery Train/This Train Is Bound for Glory – Take 1
11. Big River – Take 1
12. Girl from the North Country – Rehearsal
13. Girl from the North Country – Take 1
14. I Walk the Line – Take 2
15. Guess Things Happen That Way – Rehearsal
16. Guess Things Happen That Way – Take 3
17. Five Feet High and Rising – Take 1
18. You Are My Sunshine – Take 1
19. Ring of Fire – Take 1

DISC 3

February 18, 1969
Columbia Studio A, Nashville, TN
The Dylan-Cash Sessions
01. Studio Chatter
02. Wanted Man – Take 1
03. Amen – Rehearsal
04. Just a Closer Walk with Thee – Take 1
05. Jimmie Rodgers Medley No. 1 – Take 1
Based on Blue Yodel No. 1 (T for Texas), The Brakeman’s Blues (Yodeling the Blues Away), and Blue Yodel No. 5 (It’s Raining Here) written by Jimmie Rodgers
06. Jimmie Rodgers Medley No. 2 – Take 2
Based on Waiting for a Train, The Brakeman’s Blues (Yodeling the Blues Away), and Blue Yodel No. 1 (T For Texas) written by Jimmie Rodgers

Bob Dylan: vocals, guitar
Johnny Cash: vocals, guitar
Carl Perkins: guitar (08, 10, 02, 04-06)
Bob Wootton: guitar
Marshall Grant: bass
W.S. Holland: drums

May 1, 1969
Ryman Auditorium, Nashville, TN
Live on The Johnny Cash Show
Originally broadcast on ABC-TV, June 7, 1969
07. I Threw It All Away
08. Living the Blues
09. Girl from the North Country

Bob Dylan: vocals, guitar
Johnny Cash: vocals, guitar (09)
Norman Blake and Charlie Daniels: guitars
Peter Drake: steel guitar
Bob Wilson: piano
Charlie McCoy: bass
Kenneth Buttrey: drums

May 3, 1969
Columbia Studio A, Nashville, TN
Self Portrait sessions
10. Ring of Fire (Outtake)
11. Folsom Prison Blues (Outtake)

Bob Dylan: vocals, guitar
Fred F. Carter, Norman Blake: guitars
Charlie Daniels: guitar (11), bass (10)
Bob Wilson: piano
Peter Drake: steel guitar
Charlie McCoy: harmonica (10), bass (11)
Kenneth Buttrey: drums
Delores Edgin and Dottie Dillard: background vocals

May 17, 1970
The Home of Thomas B. Allen, Carmel, New York
With Earl Scruggs
12. Earl Scruggs Interview
13. East Virginia Blues
14. To Be Alone with You
15. Honey, Just Allow Me One More Chance
16. Nashville Skyline Rag

Bob Dylan: vocals, guitar
Earl Scruggs: banjo
Randy Scruggs: acoustic guitar
Gary Scruggs: electric bass
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Re: Anything Dylan  on RO... Part 5d
Reply #2158 - Sep 23rd, 2019 at 10:45am
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Pretty frustrating at times being a Stones fan when you consider how the archives of Dylan, The Beatles, Springsteen, Neil Young, Elvis etc are being curated.

Fortunately I'm a big fan of all of the above, but you have to wonder if the Stones will ever do this right (even if it takes making peace with ABKCO) before we all die waiting.
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Re: Anything Dylan  on RO... Part 5d
Reply #2159 - Mar 27th, 2020 at 1:20pm
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LOL quarantine is all over, Bob dylan just released a 17 min song!!!


Murder must foul

https://open.spotify.com/album/4IynOFuPYOzTzLXBz5UgYo?si=q1ryDe-URQaqtEPmQMxDDg

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Re: Anything Dylan  on RO... Part 5d
Reply #2160 - Mar 28th, 2020 at 12:35pm
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Voodoo Chile in Wonderland wrote on Mar 27th, 2020 at 1:20pm:
LOL quarantine is all over, Bob dylan just released a 17 min song!!!


Murder must foul

https://open.spotify.com/album/4IynOFuPYOzTzLXBz5UgYo?si=q1ryDe-URQaqtEPmQMxDDg



not quite as brilliant as sad eyed lady of the lowlands, it made me more depressed.
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Re: Anything Dylan  on RO... Part 5d
Reply #2161 - Apr 17th, 2020 at 8:15am
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Another new song - and this one even namechecks the Stones....



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Re: Anything Dylan  on RO... Part 5d
Reply #2162 - May 8th, 2020 at 8:38am
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New one dropped overnight, and news of new album out June 19th!
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« Last Edit: May 8th, 2020 at 12:15pm by Gazza »  

"He who makes a beast of himself gets rid of the pain of being a man."  Dr. Johnson.
 
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Re: Anything Dylan  on RO... Part 5d
Reply #2163 - May 8th, 2020 at 9:42am
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New song available and new album coming...

The new album is ‘Rough And Rowdy Ways’ coming June 19th

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The new song is "Flase Prophet" and is available now here https://bobdylan.lnk.to/FalseProphetAW

...


More here https://www.bobdylan.com/
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Re: Anything Dylan  on RO... Part 5d
Reply #2164 - May 8th, 2020 at 12:10pm
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Love this one. Has a sort of creepy Screaming Jay Hawkins feel to it.

And as someone on expectingrain.com pointed out, the tune seems to be inspired by this old Sun record from 1954

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Re: Anything Dylan  on RO... Part 5d
Reply #2165 - Jun 12th, 2020 at 3:16pm
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Bob Dylan Has a Lot on His Mind

In a rare interview, the Nobel Prize winner discusses mortality, drawing inspiration from the past, and his new album, “Rough and Rowdy Ways.”
By Douglas Brinkley New York Times
June 12, 2020
Updated 8:58 a.m. ET




https://www.nytimes.com/2020/06/12/arts/music/bob-dylan-rough-and-rowdy-ways.htm...
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Re: Anything Dylan  on RO... Part 5d
Reply #2166 - Jun 13th, 2020 at 12:39pm
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Great interview. I love reading his ruminations on music. He's a one-man encyclopaedia.

Interesting comments on how Little Richard, Sister Rosetta Tharpe and Robert Johnson were looked upon. If you substituted any of those names with 'Bob Dylan' the comments would be spot on.

'Good news in today's world is like a fugitive, treated like a hoodlum and put on the run. Castigated. All we see is good-for-nothing news'.  Wow.
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Re: Anything Dylan  on RO... Part 5d
Reply #2167 - Jun 19th, 2020 at 11:22am
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Re: Anything Dylan  on RO... Part 5d
Reply #2168 - Jun 19th, 2020 at 11:33am
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It's fucking amazing. 'Key west' is my favourite so far (seems to be the popular choice as standout track going by the fan forums as well as the press reviews)
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Re: Anything Dylan  on RO... Part 5d
Reply #2169 - Jul 1st, 2020 at 12:29pm
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Re: Anything Dylan  on RO... Part 5d
Reply #2170 - Sep 24th, 2020 at 3:11pm
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How Bob Dylan influenced The Beatles, The Rolling Stones and The Who


https://faroutmagazine.co.uk/how-bob-dylan-influence-the-beatles-the-rolling-sto
nes-the-who/
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Re: Anything Dylan  on RO... Part 5d
Reply #2171 - Oct 21st, 2020 at 9:22am
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Inside Bob Dylan’s Lost Interviews and Unseen Letters

As Bob Dylan’s career blossomed, he kept in close touch with his friend Tony Glover. The pair’s conversations and letters — published here for the first time — show a Dylan that few people knew
By DOUGLAS BRINKLEY
OCTOBER 21, 2020 8:00AM ET

...

https://www.rollingstone.com/music/music-features/bob-dylan-lost-letters-intervi...
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Re: Anything Dylan  on RO... Part 5d
Reply #2172 - Dec 2nd, 2020 at 1:27pm
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Bob Dylan Just Released the Ultra-Rare 1970 ‘George Harrison Sessions’ Without Warning
The Bob Dylan – 50th Anniversary Collection 1970 was released as a super-limited set to avoid the recordings entering the public domain in Europe

By ANDY GREENE
https://www.rollingstone.com/music/music-news/bob-dylan-george-harrison-sessions...
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Gazza
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Re: Anything Dylan  on RO... Part 5d
Reply #2173 - Dec 2nd, 2020 at 5:37pm
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Was delighted to be one of the few to get this on Monday. Thankfully I'm on Badlands record shop's mailing list (they were the sole UK stockist) and got a couple of hours notice. They sold out in seconds. £25 for a triple CD. Very reasonably priced.

No confirmation from the record store, Dylan's management or Sony as to how many were made available. It's rumoured to be maybe 100-200 worldwide.

Unfortunately Dylan's management have admitted their sole motivation for these releases is to renew the copyright. not to satisfy the needs of collectors. They have no interest in making them more widely available than they have been doing up to now.

I would expect that we'll get another ABKCO copyright extension release of Stones studio and live material from 1970 over the next four weeks like we did last year when they briefly uploaded some (tampered) 1969 recordings for a few hours on Youtube. This will be the last year that ABKCO will have the rights to do this. It'll be interesting to see what the Stones and UMG do this time next year as the 1971 copyright releases will fall under the Rolling Stones Records era.
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« Last Edit: Dec 2nd, 2020 at 5:39pm by Gazza »  

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Voodoo Chile in Wonderland
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Re: Anything Dylan  on RO... Part 5d
Reply #2174 - Dec 3rd, 2020 at 9:05am
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Lucky bastard
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